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The Gay Men's Edition
Volume 1 Number 9
this issue sponsored by
Alyson Publications
the proud publishers of
Firelands
by Michael Jensen
A new novel of terror, legend and gay romance set against the harsh backdrop of the American frontier. The sequel to the national best-seller Frontiers.
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By Richard Labonte
What the Obits of Donald M. Allen Forgot to Say
Donald M. Allen, who died in San Francisco late in August at age
92, was most prominently remembered in national obituaries as an early editor
at Grove Press - where he worked on John Rechy's City of Night - for the
landmark poetry anthology The New American Poetry 1945-1960 which introduced
writers from the Beat Generation and the New York and Black Mountain schools,
and for his work with Jack Kerouac, Allen Ginsberg,
Richard Brautigan, and The Evergreen Review. Mention was also made of
the Four Seasons Foundation, whose books featured the letters and poetry of
such writers as Michael McClure, Gary Snyder, Lew Welch, and Philip Whalen, as
well as gay poet Aaron Shurin.
Within the queer literary community, however, he deserves to be
remembered for Grey Fox Press, which for more than 20 years - from the early
seventies to 1997 - published a number of seminal gay books. Among them: Eric
Rofes' early study of gay teens and suicide, I Thought People Like That
Killed Themselves; Gays Under the Cuban Revolution, by Allen Young;
Margaret Cruikshank's New Lesbian Writing and The Lesbian Path
(both used as readers for many 1980s gay-studies college classes); Roy Woods'
collection of working-class gay fiction, Restless Rednecks (a book
begging to be reprinted); fiction by Richard Hall, Daniel Curzon, and Guy
Davenport; poetry by Ginsberg, Kerouac, Jack Spicer, Robert Duncan, and Frank
O'Hara; Chapters From an Autobiography by Samuel Steward, touching on
his sexual encounter with Thornton Wilder and his friendship with Alice B.
Toklas and Gertrude Stein; and - under the Perineum Press imprint - several of
Steward's "Phil Andros" collections of erotic fiction, bestowing
deserved literary luster on such classics as Boys in Blue, Below the
Belt, Different Strokes, and Roman Conquests.
From Richard Hall's limpid, luminous short stories to Phil Andros'
hot and horny sexual encounters, from the Zen-like poetry of Gary Snyder to the
intense letters of Lew Welch, from Guy Davenport's riffs on the classics to
Richard Brautigan's ballsy brawling - Donald Allen had range.
He came into A Different Light in San Francisco almost every
month, almost always dressed in the costume of a gentleman editor of a certain
age - starched shirt, tightly-knotted tie, wool coat (do I recall leather
patches on the elbows?); he would ask me about new titles and new authors, new
poets and new publishers, and occasionally told me to get in touch if I heard
of a writer he might be interested in publishing.
The last book from Grey Fox, as far as I know, was Michael
Rumaker's 1997 semi-biographical, semi-autobiographical book Robert Duncan
in San Francisco, a slim but absorbing and revealing account of Duncan's
Bay Area years, linking the nascent gay rights movement, the free-spirited
ethos of the Beats, and Duncan's transient role in San Francisco's poetry
scene. As soon as it was published, Donald brought several copies for the
new-book display table then at the front of the bookstore. He was proud of the
book's look - Grey Fox titles were handsome creations - and as engaged with its
prospects as he no doubt was when nurturing his first books as an editor, four
decades earlier.
Grey Fox also published two earlier books by Rumaker, his
exuberantly confessional stories A Day and a Night at the Baths (1979;
the title says all; a sexy read) and My First Satyrnalia (1981; the
early days of the radical faeries). I don't know how much of Donald Allen's
list is still available - these two certainly aren't. But as poetic artifacts
of pre-AIDS gay life, they ought to be.
So should another remarkable book from the early days of Grey Fox
- The Story of a Life: For the Consideration of the Medical Community,
by the pseudonymous Claude Hartland. The author was writing about his experiences
as a closeted gay man as the 19th century turned into the 20th;
his account of being attracted to men in uniforms while walking through a park
at night is right out of the old Drummer Magazine (albeit G-rated).
This reader review by Mark Stickle from an online bookseller
captures the spirit of the book beautifully:
"I accidentally came across this book at a gay
studies workshop a few years ago. I had never heard of the author, and have yet
to encounter anyone else who has read the book. It is an autobiography...the
author grew up in Missouri in the late 1800s and writes of his coming of age as
a gay man in a time and place where such a thing was literally unknown and even
unimaginable. The writing is clear and direct. The story is simple and touching.
I very much recommend this little book to anyone who is interested in learning
more about our history as a people. It is not a book about neurosis or
alienation. It is the life and words of a man who I would very much like to
have known."
Those obits in the New York Times and the Washington
Post honored Allen for his nurturing of the work of the Beats, of the Black
Mountain poets, and of other writers who challenged the status quo of the
literary arts. Relegating the second half of his publishing life to "also
published seminal gay and lesbian works" is one of those
written-out-of-history moments...
The San Francisco Chronicle obit recalls Donald Allen's
decency:
http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2004/09/05/BAGUG8K97I1.DTL
Literary colleagues - Robert Creeley, Richard Kostelanetz, Charles
Upton, Peter Coyote - remember a friend:
http://www.emptymirrorbooks.com/thirdpage/allentribute.html
http://www.emptymirrorbooks.com/thirdpage/don.html
For a list of Grey Fox titles:
http://isbndb.com/d/publisher/grey_fox_press.html?start_item=21
More of the Beats and Remembering Joe: Two Books
Joe: A Memoir of Joe Brainard, by
Ron Padgett. Coffee House Press, 360 pages, $17 paper.
Biographies written by best friends often deny hard truths. Not so
poet Padgett's conversational remembrance of Joe Brainard, who, years before
his 1994 AIDS death, retreated (artistically, though not personally) from the
community of artists that energized New York's scene in the 1960s: twice gone
but, thanks to this unflinching book, not forgotten. Padgett, comfortably straight,
and Brainard, unconsciously gay, connected in their teens in conservative
Tulsa's tiny hipster underground, then moved to Manhattan, subsisting by
shoplifting food and selling their blood. Brainard eventually gained fame with
his imaginative collages, comic drawing, and smart writing (most notably, I
Remember), an eclectic artistic output that Padgett assesses with astute
affection. In his early years, Brainard overused speed, ate poorly, and exulted
in his promiscuity, a period Padgett recounts with pained frankness. Later on,
he packed muscle onto a skinny physique, maintained a complex but affectionate
relationship with writer Kenward Elmslie, and gradually stopped drawing and
writing, a transformation Padgett explores with puzzled empathy. Brainard is
one of too many gay artists whose early death erased him from queer history;
this generous book restores his presence.
All about Brainard:
http://www.joebrainard.org
About I Remember:
http://www.granarybooks.com/books/i_remember/i_remember1.html
The Boke Press edition of 10 Imaginary Still Lifes, online:
http://www.joebrainard.org/10_Imaginary_Still_Lifes.htm
People of the World: RELAX:
http://wings.buffalo.edu/epc/documents/obits/brainard
About Ron Padgett:
http://www.ronpadgett.com/
Queer Beats: How the
Beats Turned America on to Sex, edited by Regina Marler. Cleis
Press, 209 pages, $16.95 paper.
The "Beats" -
constituting a scant couple of dozen writers, boyfriends, sex partners, wives,
and hangers-on - have been autobiographed, biographed, anthologized, and
otherwise critically analyzed near to exhaustion. For all that, Queer Beats
adds something fresh and vital to the Beat canon. Marler, an acclaimed
chronicler of England's Bloomsbury literary circle, has compiled a crazy quilt
of queer sexual exuberance from the work of Beat daddies William Burroughs,
Allen Ginsberg, and Jack Kerouac; colleagues Neal Cassady, John Giorno, Harold
Norse, Diane de Prima, Brion Gysin, Herbert Huncke, and John Wieners; and even
such bemused observers of the scene as Norman Mailer and Gore Vidal. The
boy-loving poems of Ginsberg are obviously included; more interestingly, so is
Vidal's hilarious account of his sexual encounter with Kerouac - though,
elsewhere in these cleverly selected writings, the author of On the Road
denies having sex with men. Young queer kids exploring their sexuality have
long been drawn to these authors whose celebration of sexual fluidity shocked
America in the 1950s and continues to entice today. How handy, and dandy, that
this passionate primer has excerpted the juicy queer bits.
An interview with the author, by her publisher:
http://www.cleispress.com/Marler_spotlight.html
Marler interviewed on her book about the Bloomsbury circle:
http://www.beatrice.com/interviews/marler/

Young, Smart, and Thinking About Cum
There's a new crop of angsty-adolescent novels every year - as
I've said often, someone somewhere is always coming out. Here are seven of my
recent favorites; with the exception of David Levithan’s novel-in-verse, these
aren’t young adult novels - their pitch is to adult readers, even if their
protagonists are boys and young men.
Fruit, by Brian Francis,
MacAdam/Cage, 284 pages, $23 hardcover.
Outwardly, young Peter Paddington seems relatively normal. He
loves his ditzy and dysfunctional parents, grins and bears the selfish cruelty
of his two older sisters, dutifully ensures that the newspapers he delivers
land on his customers' front porches, and navigates the perils of junior-high
cliques with aplomb. And - like every good stereotypical sissy - his best
friends are straight girls, he occasionally dons dresses, and he’s nuts about
musicals. Inwardly, however, Peter is a jangled mess, medicating his emotions
with chocolate bars and seeking security in assorted religions. Fruit, a
sweet and tart novel, is about a somewhat tubby queer kid whose newly popped
nipples keep teasing him (or so he imagines). He obviously has issues around
body image - and when Scotch tape won't keep those nips from poking out and
betraying his burgeoning sexuality, he resorts to masking tape. Ouch. This
charming debut captures the perils of male puberty - out-of-control hormones,
pits and pubes that sprout hair overnight, and an inexhaustible supply of
boners - with humanity and hilarity. Francis is a Canadian, and this book was
first published in his home and native land by ECW Press, home to several cool
Canadian writers (RM Vaughan, Derek MacCormack, Sky Gilbert). Young Peter's
1980s-era is distinctively Canuckian, but translates well to a universal queer
coming-out world.
MSNBC's Fall Book Guide (who knew?) reviews new books by Alice
Hoffman, Russell Banks - and Brian Francis:
http://www.msnbc.msn.com/id/5069173/
Clay's Way, by Blair Mastbaum. Alyson
Books, 246 pages, $12.95 paper.
There will always be gay coming-out novels - after all, gays are
always coming out (see above, eh?). But few have been as terrific as Clay's
Way, a debut novel that sets the standards for any tales that follow. Sam
is a 15-year-old wanna-be punk rocker and skaterboy, given to avoiding his
banal parents, toking and drinking whenever he can, and channeling his dark
moods into inept haiku scribbling. He's obsessively in love with 17-year-old
Hawaiian surferboy Clay, whose cool surface and veneer of maturity - he has his
own truck, dude - belie a tormented inner life. Clichéd characters? Not a bit.
At 24, the author - who turned his hand to writing after a six-year modeling
career - isn't much older than the boys he writes about. Perhaps that's how he
captures the anguish, paranoia, and fumbled passions of adolescence with such
delicious authenticity. More likely, it's because Mastbaum is an uncommonly
gifted writer whose economic prose style captures rage and longing, pleasure
and pain, with sexy grace.
An interview (partial) with the author:
http://www.inmagla.com/2002/feature_archive/713c.cfm
Mastbaum’s organic website:
http://blairmastbaum.com/
Here's Trebor Healey's enthusiastic review of Clay and his ways:
http://www.gaytoday.com/reviews/091304re.asp
An excerpt:
http://www.alyson.com/html/claysway/clays_excrpt.html
How I Paid for College: A Novel of Sex, Theft,
Friendship, and Musical Theater, by Marc Acito.
Broadway Books, 240 pages, $19.95 hardcover.
Pudgy thespian wanna-be Edward Zanni loves his best girlfriend but
lusts after his high school's hunkiest football player. He's trapped in
early-'80s suburban New Jersey hell with a disdainful father who won't pay for
his Juilliard tuition and a spiteful stepmother who hates him – and without the
adoration of his mother, who's away at a Peruvian commune. His only hope -
after a near-nervous breakdown during his audition is interpreted as raw genius
- is to win an acting scholarship. But he isn't eligible for any, so he
embezzles money from his father to endow a new scholarship - in Frank Sinatra's
name, specifically for Italian 17-year-olds from his hometown - by laundering
the cash through a fictitious “Catholic Vigilance Society.” Except that another
kid wins it. The plot of humor columnist Acito's first novel is the very
definition of silly, and the scholarship scheme doesn't even kick in until
halfway through. But there's hardly a page without a laugh, and sexually
confused Edward is among gay fiction's most endearing recent coming-of-age
characters. How I Paid for College is that most rare of pleasures:
intelligent light reading.
The author interviewed:
http://www.popmatters.com/books/interviews/acito-marc-040914.shtml
Mark Acito's website, with links to his humor columns:
http://www.marcacito.com/
How Anne Cameron's The Artist's Way transformed Acito from
unhappy opera queen to happy, funny writer:
http://www.powells.com/taae/acito.html
Gutter Boys, by Alvin Orloff. Manic
D Press, 223 pages, $13.95
Shy, innocent lad loves tough, experienced hustler. Tough hustler
can't allow himself to love the shy lad. That's the gist of this rollicking
historical novel - if the early 1980s can be said to be history. Why not? It
was an age before AIDS, let alone before - as the author points out in his deft
scene-setting prologue - email, the Internet, VCRs for everyone, and Pac Man
replacing pinball machines as pursuits of drugged-out dissolute youth. Gutter
Boy's gender-bending story is set in the steamy sexy netherworld of New
York circa 1981, and set to the beat of that particular fusion of punk and
dance music dubbed new wave. What could be precious and clichéd, though, is
redeemed by Gutter Boy's insight about being 19 and gay and neurotic;
Orloff, it seems, lived the life himself, and draws on his own past to craft
coming-of-age fiction that flirts with the surreal - young Jeremy Rabinowitz
chats with his two dead grandmothers, a fierce Jewish socialist and a haughty
British matron - but is grounded, with a lashing of wit, in gritty emotional,
sexual, and physical reality.
An interview with the author:
http://www.alvinorloff.com/gutterboys.html
Child of My Right Hand, by Eric Goodman.
Sourcebooks, 320 pages, $14 paper.
What does this novel share with just about every coming-out story?
A sensitive queer kid who is destined to star in his high school's annual
musical, who evokes disdain from his peers, who falls nervously in love with
another boy, and who is the victim of homophobic brutality. What sets this
unsentimental mix of wry comedy and raw tragedy apart from the formulaic norm?
Its lyrical exploration of a son's troubled self-discovery and of a family's
intricate emotions, recounted primarily through the confused character of the
queer lad's dad. Goodman's poignant portrait of a self-consciously liberal
university professor - trapped by his intellectual mediocrity in a small Ohio
town where bigotry bubbles beneath a veneer of tolerance - is the essential
focus of Child of My Right Hand. But this refraction of gay turmoil
through a straight prism - author and father both - doesn't diminish the
vitality of the boy's coming of age; rather, it imparts an uncommon dimension
and grace to a tale so common to the gay canon that it’s too often a cliché –
but not here.
The Realm of Possibility, by David Levithan. Knopf,
224 pages, $15.95 paper.
The nimble author of The Realm of Possibility is a grown
man magically able to inhabit the spirits of a schoolyard full of teenage
characters. Levithan's remarkable second young adult novel - after the entirely
different but equally dazzling Boy Meets Boy - is the assured work of an
emotional chameleon, a sexual changeling, and a physical shape-shifter. The
book is presented as a novel-in-verse, but it reads like solid prose: insightful
sentences and sentiments detail and define those risky, exuberant moments in
the lives of teens when love happens and hearts break. Some of the kids
exploring the realm of their possibilities are queer: Jed and Daniel, who
"give each other meaning," and Megan, browsing a sex shop with her
male friend to buy toys for her girlfriend. Some are straight: Pete bulking up
with muscle to be strong for his girlfriend, and Anton, a boy who dresses in
black, befriended by a black girl who sings the Gospels. These are just a few
of the 20 captivating adolescents whose lives intertwine in this masterful
mosaic.
Two excerpts:
http://www.davidlevithan.com/
Some abc’s about David Levithan:
http://www.randomhouse.com/features/davidlevithan/fromdl.html
His home page:
http://www.randomhouse.com/features/davidlevithan/index.html
The Trouble Boy, by Tom Dolby.
Kensington Books, 272 pages, $23 hardcover.
Jaded young professionals. Cocktail-swilling queens. Fashion
fascists and back-stabbing celebrities. Easy drugs and cruel dish. Hollow
Hollywood pretense and imploding Internet dreams. Preppy poseurs, Chelsea-boy
bods, and decadent club kids, all desperate to get past the velvet ropes into
VIP lounges: this is a book about a fellow slightly older than the boys
populating the books above - but it's a portrait of some of those boys as young
men. The Trouble Boy, oozing with such a staggering array of
pop-cultural clichés, ought not be such delicious fun. But Dolby's debut novel
- about being gay and 22, yearning for love but settling (for now) for sex, and
striving for literary and monetary success in the shark pool of contemporary
Manhattan - is both frothy and solid, a dandy fusion of hugely entertaining
satire and seductively humane sentimentality. This novel is to real life as Sex
and the City - to which it is opportunistically compared by the publisher -
is to real sex, or even the real city. But its perceptive hyperbole and nuanced
hysteria are rooted, quite adorably, in the sort of reality small-town queer
boys might well dream about on their way to the bright lights of the big city.
The author's spiffy website:
http://www.tomdolby.com
The youngish author talks with an even younger interviewer:
http://outminds.com/outspoken/outspoken_column.cfm?cid=501

What I Liked During My Summer Interregnum
The best book of the month (October):
Native Sons, by Sol Stein and James Baldwin. One
World/Random House, 272 pages, $24.95 hardcover.
Native Sons is, first, a delicious morsel of a
memoir, loquacious and loving, as Stein reflects on a friendship with James
Baldwin that stretched from the 1930s to the author’s death in 1987. Next,
through annotated private correspondence, it narrates their professional relationship,
as editor Stein, white and Jewish, helped Baldwin shape Notes of a Native
Son, a classic work of black-self examination. This fascinating glimpse of
the delicate balance between editor and author is followed by "Dark
Runner," their never-before-published short story collaboration about a
young black man's brush with the law in Paris, set in 1949 and drawn from
Baldwin's own experience. And, finally, there is "Equal in Paris," a
TV script based on the same story but never produced because the network that
was interested - this was 1964 - wanted the hero recast as a white man. This is
not a particularly deep or detailed book, but Stein's sheer joy in having known
Baldwin, and his pure understanding of Baldwin's closing words in Notes
- "This world is white no longer, and it will never be white again" -
shine through.
The boxes that contained the letters that became the book:
http://www.washingtonpost.com/wp-dyn/articles/A38208-2004Aug3.html
Some writers Stein has edited, on how Stein edits, including
Baldwin:
http://www.writepro.com/ssadvice.htm
The best book of the month (September)
The Line of Beauty, by Andrew Hollinghurst.
Bloomsbury, 448 pages, $24.95 hardcover.
Hollinghurst's fourth novel is exquisite on every level. As gay
storytelling, it charts the four-year arc of 20-year-old Nick Guest's sexual
coming of age - from virgin in love with his closest straight friend, to lover
of a man dying of AIDS - with passion and compassion. As political commentary,
it eviscerates the economic cruelty of the 1980s reign of British Prime
Minister Margaret Thatcher, the Iron Maiden, with sharp insight and unambiguous
loathing. As social satire, it eyeballs the born-to-the-manor insouciance of
the wealthy and well connected (conservative both with their emotions and in
their politics) with unsparing perception and elegant wit. The writing is
poised and pitch-perfect, Proustian in its elegance and Jamesian in its
eloquence; The Line of Beauty is tragic and comic, breezy and deep, so
very queer and yet impeccably mainstream. It's as close to dazzling as a book
can be. (Along with Colm Toibin's The Master, based on the life of Henry
James, Hollinghurst's book was one of six finalists for Britain's prestigious
Man Booker prize - prestigious, plus the winner gets about $95,000.)
An excerpt:
http://books.guardian.co.uk/bookerprize2004/story/ 0,14182,1310341,00.html
About his three previous novels:
http://www.contemporarywriters.com/authors/?p=auth48#bibliography
Confidential Chats with Boys was
Hollinghurst's 1982 short story collection (a seven-page broadsheet, it seems),
six years before The Swimming Pool Library; a search of abebooks.com and
alibris.com finds just one copy for sale, for $725...
http://www.cla.sc.edu/engl/LitCheck/hollinghurst.htm
The best book of the month (August):
Written in Water: The Prose Poems, by
Luis Cernuda. City Lights, 158 pages, $15.95 paper.
Though he was Federico Garcia Lorca's homosexual contemporary,
Spanish poet Cernuda hasn't been honored - or romanticized - nearly as much.
Lorca died young, assassinated by the fascists of Spain's civil war, while Cernuda
went into lifelong exile in Europe and North America, dying in Mexico in 1963. Written
in Water goes a long way toward relieving the restless poet's undeserved
obscurity. His writing - lyrical, autobiographical, sensual, philosophical, and
always guarded - traces his Seville boyhood, his passion for peace, his sad
longing for a sense of place, and his radical (for its time) embrace of his
sexuality. Few of the pieces are more than a page or two long; many ache with
contradictions of an aristocratic intellectual fated to be a rootless wanderer.
This slim book, translated with delicate assurance by Stephen Keller, combines
two different Spanish collections (Ocnos and Variaciones sobre tema
mexicano) that the author had hoped to reissue as a single volume before
his death. These evocative illuminations of an intensely internal life are
worth the four-decade wait.
GLBTQ.com on Cernuda:
http://www.glbtq.com/literature/cernuda_l.html
The most fun book of the month (August):
50 Reasons to Say "Goodbye", by Nick Alexander.
www.lulu.com, 151 pages, $11.90 paper.
For a book brimming with vignettes about lust leading absolutely
nowhere and sex gone sadly awry, 50 Reasons to Say "Goodbye"
is great fun to read. Hapless Mark, bouncing around England and the rest of
Europe, risks blind dates, fritters away his nights in dark bars and stylish
clubs, trolls the Internet until dawn, and bikes and hikes with men whose
athleticism makes him feel inadequate. As he flees one man, he is ever hopeful
that the next will be the perfect partner, the dream lover, the ideal man. Time
and again, perfection is an illusion, dreams melt into nightmares, and ideals
are dashed - experiences recounted in self-contained chapters with lachrymose
titles like "The Universe Lets Us Down" and "Drunk and
Lonely." Alexander's self-published fiction is too intelligent to be
written off as "gay chick-lit" - but it sure does share that genre's
sassy way of hyperbolizing autobiography to tell an entertaining story. This
obstinately optimistic first novel expresses both passion and pathos with
firsthand freshness and a delightful balance of whimsy and wisdom.
An excerpt:
http://www.nick-alexander.com/index1a.html
Book website, more excerpts:
http://www.50-reasons.com/
Alexander also produces a politics/satire newsletter - a one-man's
shallot equivalent to The Onion:
http://www.bigfib.com/
The most fun (though I didn’t really like it) book of the month
(September):
You Can't Say That! by Charles Karel Bouley. Alyson
Books, 251 pages, $14.95 paper.
Radio talk-show host Charles Karel Bouley is arrogant and
abrasive, bombastic and banal, contentious and contrary, defiant and defensive,
egotistical and... well, what do you expect? Those qualities aren't
inappropriate on his day job; braying is effective over the air. It does wear
thin, though, in this uneven collection of commentaries and essays drawn mostly
from Bouley's Advocate.com column. So does the repetition - there are dozens of
variations on the boastful phrase "being the first openly gay couple to
host a major-market drive-time radio show." An editor, please? That said, You
Can't Say That! has some fine sections, particularly when Bouley writes
passionately and beautifully about his 12 years with, and the death of, his
husband Andrew, with whom he co-hosted a talk show on KFI in Los Angeles. And,
agree or disagree, he expresses his convictions - among them, that PFLAG is a
pointless, feel-good organization, that bisexuality is a cop-out, and that
monogamy is a must - with ferocious sincerity. Fiercely opinionated is too tame
a description for this brash, brawling book.
Part website, part blog. In his Oct. 3 entry – and these entries
are long, personal, intense, and opinionated - Bouley bitch-slaps his
publisher:
http://homepage.mac.com/karel/iblog/B1661239496/
The most fun book of the month (October):
Kyle's Bed & Breakfast, by Greg Fox.
Kensington Books, 144 pages, $13 paper.
Everyone who checks in to Kyle's welcoming B&B, set in a
fictional tourist town on the north shore of Long Island, has drama-queen
issues. Proprietor Kyle, steadfast and romantic, longs for Mr. Right. Queeny
best friend Richard has an acid tongue and a libido in overdrive. Cocky Eduardo
is a tough queer Latino kid tossed into the street by his parents. Drop-dead
gorgeous Brad is a deeply closeted minor-league baseball hero. And
straight-acting Nick is a brooding firefighter whose life is shadowed by the
attacks of 9/11. These are a few of the flawed but empathic characters who pass
through Kyle's Bed & Breakfast, a comic-strip collection with the
heft of a comic novel. Fox ably tackles serious topics: gay fatherhood, fear of
AIDS, love and commitment, and locker-room homophobia. But this engaging
compilation of the strip's first five years (1998 to 2003) is at heart a witty
soap opera where sexual couplings abound, everyone has muscles for days - and a
scintilla of soul - and the plot twists and character kinks are delightfully
intricate.
The author’s website, chock-full of past episodes, new strips,
info on the central cast of characters, and much more:
http://members.aol.com/kylecomics/page2.html

The Bloom of Fall, Tormented Chroma: Two Mags
The second issue of Bloom: Queer Fiction, Art, Poetry &
More, Summer 2004, arrives just in time, days before the end of summer (and
more on time than this edition of Books to Watch Out For, anyway) with a
stellar lineup of contributors assembled by Charles Flowers: John Weir’s short
story “How to Disappear Completely” opens the issue – a never-self-indulgent
riff on the loneliness of being gay. Michelle Cliff’s “Crocodilopolis,” a
sensuous account of lust between “the Egyptian woman” and the female narrator, is
the last story in the issue. Poetry follows - Ron Mohring, Gretchen Primack,
Stacey Waite, Tiffany Lynn Wong, Dean Kostos, and Gail Hanlon are six of the 25
poets whose work is featured here. In his 17-page essay, Clifford Chase
pronounces dozens of splendid factoids about life after losing a tooth, such
as: “Whenever I get on the subway, I glance around for someone cute to glance
at, and if there isn’t anyone, I resign myself to boredom.” And, “In exchange
for the tooth, at least I had been granted the vivid experience of losing it.”
And, “I don’t look my age, but I’ve lost my looks anyway.” Jaded, but smart
about it. Christopher Hennessey interviews D.A. Powell on visceral, sexual,
disturbing, formal poetry. There is art: Roxa Smith reinterprets Renaissance
portraits, Tim Doud’s “Angie” portraits celebrate lipstick choices. Other
fiction: E.J. Levy, Mary Beth Caschetta, John Rowell. Other poetry: Reginald
Harris, David Groff, Timothy Liu, Carl Phillips, Marilyn Hacker, Cheryl B.,
Letta Neely, Angelique Chambers, and more you will read when you buy this
splendid queer journal, in size like, oh, Reader’s Digest, but much much
more relevant to our lives, four issues a year/$10 an issue: www.bloommagazine.org.
Except for “Lawrence Schimel,” most Americans, except the
best-read of internationalists, won’t know many of the bios in the back of Chroma:
A Queer Literary Journal, Summer 2004, first issue, edited by Shaun Levin.
And Lawrence’s contribution, really, is to translate beautifully the Leopoldo
Alas short story “ Lovers’ Holiday,” about the indolence of displaced desire.
Other fiction: Keith Munro’s “Jolt,” about desire in the aftermath of tragedy;
and John Joseph Bibby’s “Story of My Life,” about Ashton Kutcher being punk’d
about sex and Heath Ledger getting a blowjob and Rufus Wainwright wiping blood
off the narrator’s nose, but not really; and Bunny Bauer’s “The Bunny
Chronicles,” about the journey towards becoming a writer; and Nina Rapi’s
“Foreigner,” about how the only way for a girl to be is to be a man. There are
poems by Cathy Bolton and Robert Hamberger. There is a yearning review by P.
O’Loughlin on Robert Gluck’s novel Denny Smith and a discerning review
by Sue Brown on Louise Welch’s Tamburlane Must Die. And – oddly, not on
the table of contents – two pages of photos with text by Alison Henry about
“beautiful and cool young girls who look like boys” and two pages of photos by
Dylan Rosser of muscled men in close contact. As with Bloom, there is
more; as with Bloom, there is a welcome important mix of boy voices and
girl voices; as with Bloom, there is the spirit of an editor who values
talented writers, as you will find when you read this splendid queer journal,
subtitled Tormented, which is thematically appropriate, a journal sized like,
oh, the New Statesman (do Americans read that one… you know, taller than
Newsweek, just like British letter-size paper is taller than American
letter-size paper) but much much more relevant to our lives, two issues a
year/$10 a year: www.queerwritersandpoets.co.uk.

Site of the Month, Deceased
As much as I enjoy reading books and writing about them, I also enjoy
reading what other people who like to read books write about them; one of my
weekly visits was to gaytoday.com - an eclectic free news and entertainment
site edited by Jack Nichols and sponsored by the pay site badpuppy.com. Here's
the sad news: after eight years, gaytoday.com has closed; here's the news - http://www.gaytoday.com/events/093004ev.asp.
Reading between the lines (but not yet confirmed) it seems that badpuppy.com is
hurting from Paypal's ongoing purge of adult-content users from its online
payment service...
Here are some samples of the literary pleasures from the
gaytoday.com archive - which Nichols says will remain online indefinitely:
An interview with Joseph Hansen on his mystery oeuvre, his long
gay life, and his new blog:
http://www.gaytoday.com/interview/090104in.asp
An interview with George Chauncey on his book Why Marriage?
http://www.gaytoday.com/reviews/092704re.asp
Jesse Monteguado's Book Nook book reviews ranged widely, and
wisely; here he is on David K. Johnson's The Lavender Scare:
http://gaytoday.com/reviews/032204re.asp
...on David Leddick's The Handsomest Man in the World,
which he liked way more than I did, but for the right reasons:
http://gaytoday.com/reviews/090604re.asp...
...and on "Hot Books for the Kinky Community"...
http://gaytoday.com/reviews/042604re.asp
As its editor, Nichols infused gaytoday.com with a liberation
spirit and a freewheeling (and definitely anti-Bush) politic that the likes of
gay.com and planetout.com, for all their good points, come nowhere near
capturing. Here's a link to his editor's letter, welcoming readers to the first
issue in February, 1997:
http://gaytoday.com/garchive/viewpoint/020397vi.htm
Nichols' sexual memoir The Tomcat Chronicles makes clear
the roots of his activism; here is the Book Nook review:
http://gaytoday.com/reviews/082304re.asp
And, equally laudatory, here is my own:
The Tomcat Chronicles: Erotic Adventures of a Gay
Liberation Pioneer, by Jack Nichols. Harrington Park Press, 237
pages, $19.95 paper.
"Gay Liberation" - that's what queer activism was called
in the good old pre-Pride days. Nichols was there, well before Stonewall, when
the Mattachine Society was still puttering along bravely, when "the
movement" was a room full of warriors for gay equality, and when randy
young men savored sex with carefree abandon. Tantalizing threads of that early
liberation energy run through this rambunctious picaresque memoir of Nichols'
life in the late '50s and early '60s. But The Tomcat Chronicles - a
perfect title, promising erotica but not prurience - is primarily, and
joyously, a celebration of sexual energy and erotic passion. Either Nichols
jotted a daily journal way back when, or he has a photographic memory for the
bodies of the boys he bedded. Whatever the case, his graceful prose effervesces
with vivid accounts of everything from one-night tricks to three-month romances
to - at book's end - his first encounter with Lige Clarke, the man who would be
Nichols’ partner for more than a decade, until his death in 1975. This is, I
hope, just the first volume of a memoir, written gracefully, of a graceful
life.

Chip Kidd's Second Novel, Previewed
Prolific book-jacket designer Chip Kidd's second novel (or, more
accurately, novel-to-be) was the August-September Open Book serial on USA
Today's online book pages; read it here: http://www.usatoday.com/life/books/openbooks/2004-07-21-the-learners_x.htm.
The Learners, a sequel of sorts to Kidd's 2001 fiction debut The
Cheese Monkeys, is set in the early 1960s, about a young graphic designer
who decides to answer the first newspaper ad he creates. What follows is
"a murder mystery about a killing that may never have taken place."
Kidd's covers – more than 800 of them! - have helped sell books by David
Sedaris and Augusten Burroughs. Look for the finished book in 2006.
Read an effervescent interview with Kidd about his cover designs
here:
http://www.identitytheory.com/people/birnbaum30.html
And, part two, here:
http://www.identitytheory.com/interviews/birnbaum136.html
And there's even a book about him (he designed the cover):
http://www.silverbulletcomicbooks.com/news/106499939166914.htm
From a 2002 review of The Cheese Monkeys, online at The
Agony Column Book Reviews and Commentary, by Rick Kleffel:
"The hard data on graphic design is extremely
fascinating, and Kidd's trashing of untouched paragons of modern art is a hoot.
He delights in confounding expectations of good, now-approved tastes. He's not
above a vomit joke, but he's certainly up for a discussion of typefaces and
fonts. It's an odd combination. The kind of crudity that seems mandatory in
some novels is eschewed for a silly delight. The artistic banter is never
stilted or pretentious. The Cheese Monkeys might be the
perfect tonic for a reading palate jaded by the success of excess."
Here's the full review:
http://trashotron.com/agony/reviews/2002/kidd-the_cheese_monkeys.htm
10 Books To Watch Out For
JUST OUT: The Queer Movie Poster Book, by Jenni Olson with
a foreword by Bruce Vilanch (Chronicle Books) offers a visual history of gay
film as depicted in coded promotional art. Olsen created Planet Out's rich film
resource, Popcorn Q...
ALSO JUST OUT: So Hard to Say, by Alex Sanchez (Rainbow
Boys, Rainbow High), a Simon and Schuster YA book about Frederick, who is
more interested in Victor than in the 13-year-old girl who courts his kisses.
SPEAKING OF THOSE high school days, seriously: see Fit to Teach:
Same-Sex Desire, Gender and School Work in the Twentieth Century, by Jackie
M. Blount, a November State University of New York book that takes a historical
look at the construction of gender in public school employment.
QUEER HISTORY, AGAIN in Born to Be Gay: A History of
Homosexuality, by William Naphy - a global history from Trafalgar Square
emphasizing that gay life was not all doom, gloom, and faggots burning at the
stake prior to the 19th century.
FOR ARMCHAIR TRAVELERS: The Third Sex: Kathoey, Thailand's
Ladyboys, by Richard Totman (Souvenir Press), gathers personal stories of
Thailand's transvestites and examines transgender practices worldwide.
LIGHT BEFORE DAY, Christopher Rice's third novel,
coming in February from Miramax Books, is about a 25-year-old journalist whose
former lover has vanished and whose investigation uncovers a serial predator
targeting young gay men in West Hollywood...
FELICE PICANO, whose several acclaimed memoirs have chronicled his
sexual life from boyhood to middle age, now recalls the cat he befriended in
Greenwich Village in the 1970s, in Fred in Love - also due in February,
from Terrace Books...
MONEY TALKS IN Business, Not Politics: The Making of the Gay
Market, by Katherine Sender (Columbia University, January) who makes the
connection between marketing to gay consumers and the politics of gay rights
and identities.
IN Major Conflict: A Gay Life in the Don’t-Ask-Don’t-Tell
Military, a March memoir from Broadway Books, retired Major Jeffrey McGowan
discusses his queer military years; he commanded troops in the first Gulf War
with Iraq.
FEBRUARY HOUSE, by Sherill Tippins, is a February
account from Houghton Mifflin of an experiment in communal living in Brooklyn
during 1940 and 1941 that brought together such figures as Carson McCullers,
W.H. Auden, Benjamin Britten, Jane and Paul Bowles, and Gypsy Rose Lee.
News About Writers and Writing
Scholastic Press editor David Levithan and young poet Billy
Merrell are looking for writers ages 13 to 23, queer or not, for an anthology
of personal nonfiction about today’s queer teen experience. All royalties from
the book, coming from Knopf in fall 2005, will go to GLSEN (the Gay, Lesbian,
and Straight Education Network), a national organization ensuring safe schools
for all LBGT students. "It used to be that queer teens were fighting to
find a single voice. Now we each have our own voices – and finally someone
wants to give us a place to tell our stories in order to show what
gay/lesbian/bisexual/transgender/questioning life is really like now," say
Levithan and Merrell in their call for submissions. The co-editors bring their
own experience to Queerthology. Merrell - who will be 23 when the book
comes out - is the author of Talking in the Dark, a collection of
personal narrative poems that tell the story of a boy coming of age in
contemporary America. Levithan's young adult novel, Boy Meets Boy, won
the 2003 Lambda Literary Award in the Children's/YA category; his second novel
is The Realm of Possibility. The deadline for submissions to Queerthology
is Oct. 15; for information, go to www.queerthology.com.
Steven Saylor shares something every author loves - a great
review. In an early-October email, he writes:
“May I share some good news? I'm over the moon about the review of
The Judgement of Caesar that recently appeared in the Sunday Times of
London... the last sentence is the clincher: ‘Saylor evokes the ancient
world more convincingly than any other writer of his generation.’ I have no
idea if this is true...but seeing it in print certainly makes my day! (And) in
other developments, The Judgement of Caesar has been short-listed for
the Crime Writers Association Ellis Peters Historical Dagger Award (winner to be
announced in London on Oct. 19)... a new collection of short stories, A
Gladiator Dies Only Once, will be published next June... and right now I am
very hard at work on Roma: The Novel of Rome, an epic saga (in the James
Michener/Edward Rutherfurd vein) of the first thousand years of the Eternal
City, from Romulus and Remus down to the death of Caesar.”
www.stevensaylor.com
The full review (Aug. 15, by Joan Smith) isn't available online
for free, so here's just a paragraph: "The novels are billed as
mysteries, although the description fits some of the earlier books more closely
than this one. True, Gordianus has to solve a crime, and one that affects him
personally: his estranged son Meto is accused of involvement in a plot to
assassinate Caesar and faces execution if his father cannot clear him. But the
real substance of the book is Saylor’s confident re-creation of Alexandria at
this crucial moment in both Egyptian and
Roman history."
The Independent Publisher (IP) is an online resource that awards
prizes annually in a kazillion categories; their 2004 winner in "Category
36-Gay/Lesbian" is a quite worthy book: GLBTQ*: The Survival Guide for
Queer & Questioning Teens, by Kelly Huegel (Free Spirit Publishing).
For more book info: http://www.freespirit.com/catalog/item_detail.cfm?item_id=114
The two runners-up were not bad books either: Homosexuality
& Civilization, by Louis Crompton (Harvard University Press), and Gay
& Healthy in a Sick Society: The Minor Details, by Robert N. Minor
(Humanity Works!). For IP's comments on all three titles: http://www.independentpublisher.com/action.lasso?-Database=18news.fp3&-Layout=iparticle&-RecordID=39719&- Response=ipawrdetail.lasso&-Search
Cruising the Net: Burroughs, Warren, Bright, and More
Powell's Books asks Queer It Boy Augusteen Burroughs a few really
dumb questions:
http://www.powells.com//ink/burroughs.html
A two-part interview with Patricia Nell Warren, "a
multi-faceted, mini-conglomerate enterprise of one":
http://ec.gayalliance.org/articles/000444.shtml
http://ec.gayalliance.org/articles/000512.shtml
Brandon Judell discusses a decade of The Best American Erotica
- which includes plenty that is queer - with editor Susie Bright, for
PlanetOut:
http://www.planetout.com/entertainment/interview.html?sernum=360
Andrew O'Hehir deconstructs the gay-themed classic Death in
Venice for Salon (click through the Day Pass ad for a free read):
http://www.salon.com/books/review/2004/08/10/venice/index_np.html
Scott & Scott, the romantic Romentics - another interview!
http://www.bostonphoenix.com/boston/news_features/
this_just_in/documents/04035321.asp
Bestsellers from Our Bookstores
Lambda Rising - Norfolk
October 2004
Top 10 Gay Fiction Titles
1. Rainbow Boys, by Alex Sanchez, Simon Pulse, $7.99
2. Bitch Slap: A Mark Manning Mystery, by Michael Craft,
St. Martin's Minotaur, $24.95
3. Geography Club, by Brent Hartinger, HarperTempest, $6.99
4. Last Summer, by Michael Thomas Ford, Kensington, $14
5. A Son Called Gabriel, by Damian McNicholl, CDS Books,
$24.95
6. Man About Town, by Mark Merlis, Perennial, $12.95
7. Clay's Way, by Blair Mastbaum, Alyson Books, $12.95
8. Latter Days, by C. Jay Cox, Alyson Books, $13.95
9. Firelands, by Michael Jensen, Alyson Books, $14.95
10. How I Paid for College: A Novel of Sex, Theft, Friendship
& Musical Theater, by Marc Acito, Broadway Books, $19.95
Top 10 Nonfiction Titles
1. Guess Who Came to Dinner?: Downlow Life-style of the Gay and
Not So Gay, by "Slick Rick" Dickson, Phil Dickson, $14.95
2. On the Down Low: A Journey Into the Lives of
"Straight" Black Men Who Sleep with Men, by James L. King,
Broadway Books, $21.95
3. What Becomes of the Brokenhearted: A Memoir, by E. Lynn
Harris, Anchor Books, $13.95
4. Gay Dads: A Celebration of Fatherhood, by David Strah,
Kris Timken, and Susanna Margolis, Jeremy P. Tarcher, $14.95
5. Will & Grace: Fabulously Uncensored, by Jim Colucci,
Time Inc. Home Entertainment, $19.95
6. Box Lunch: The Layperson's Guide to Cunnilingus, by
Diana Cage, Alyson Books, $13.95
7. Ultimate Gay Sex, by Michael Thomas Ford, DK Publishing,
$30
8. The Trek to the Top of Mount Kilimanjaro: Africa's Highest
Mountain, by Ann Brand, Sea Level Books, $9.95
9. The Joy of Gay Sex, by Charles Silverstein and Felice
Picano, HarperResource, $17.95
10. The Funny Thing Is..., by Ellen DeGeneres, Simon &
Schuster, $23
More bestsellers and staff faves at www.lambdarising.com
My Summer of Other Stuff
I do apologize for the discernable gap between this installment of
Books To Watch Out For: Gay Men’s Edition, and the last one. When you’re
a staff of one, and life interferes with the pleasure of putting this
newsletter together, time flies. My partner’s travels from San Francisco to
Nashville to my home in Perth, Ontario, and some travails in transit, took some
time away from queer reading and writing. So did a short-term contract to write
about male teachers, lack of, for the Ontario College of Teachers, an
obligation that, like Topsy, grew and grew and took me away from my computer
and my stacks of books for many more weeks than anticipated. Look for the next issue
in a couple of weeks (that would be, for the bibliographers among you, the
September issue); and the next one a couple of weeks after – the real October
issue. And then we’ll be on to November, and all caught up.
Richard can be reached at tattyhill@sympatico.ca, at 613 264 5409, or at 7-A Drummond St W, Perth, ON K7H 2J3 Canada. Books for review, author news, interesting links all appreciated.
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